Maxwell Anderson Papers, 1923-1959, 1983-1984, undated
Collection Overview
Title: Maxwell Anderson Papers, 1923-1959, 1983-1984, undated
Predominant Dates:undated
ID: OGLMC0050
Primary Creator: Anderson, Maxwell (1888-1959)
Extent: 3.0 Linear Feet
Date Acquired: 00/00/1956. More info below under Accruals.
Subjects: Literary, Theater and Film, University of North Dakota - Alumni
Languages: English
Abstract
Scope and Contents of the Materials
The Maxwell Anderson Papers have been divided into seven series:
Series 1: Manuscripts
Series 2: Production Copies
Series 3: Photographs
Series 4: University of North Dakota
Series 5: Maxwell Anderson Theatre and Design Conference, UND, October 14-16, 1983
Series 6: Miscellaneous
Collection Historical Note
James Maxwell Anderson was born December 15, 1888, in Atlantic, Pennsylvania, the second child of William Lincoln Anderson and Charlotte Perrimela (Stephenson) Anderson. His first three years were spent growing up on his maternal grandmother's farm in Atlantic. His family moved to Andover, Ohio, where his father worked as a railroad fireman and studied at night to become a minister. The family moved often, before coming to Jamestown, North Dakota in 1907.
Maxwell Anderson graduated from Jamestown High School in 1908, and began attending the University of North Dakota later that year. While at UND, he was involved with the Dacotah Annual, was an active member of Ad Altiora, a literary society, and served as the assistant director of the Sock and Buskin Dramatic Society. As a way of earning money, Anderson also waited on tables and worked at the night copy desk of the Grand Forks Herald. He graduated from UND with a Bachelor of Arts degree in English Literature on June 14, 1911.
After graduation, Anderson took a position as principle of a high school in Minnewaukan, North Dakota, where he also taught English. His contract was terminated in 1913, following pro-pacifism comments he made to his students.
He enrolled at Stanford University in Palo Alto, California, in the fall of 1913. He obtained a Master of Arts degree in English Literature in 1914. He was a high school English teacher in San Francisco for three years, before becoming chair of the English Department at Whittier College near Los Angeles, in 1917. He was fired at the end of his first year, for public statements he made on behalf of a student seeking conscientious objector status.
He next found work for a short time with several newspapers in San Francisco, before moving to New York to join the editorial staff of the New Republic. While in New York City, he also worked for the New York Globe and the New York World. In 1921, he was a founding member of Measure, a magazine dedicated to verse.
Maxwell penned his first play, White Dessert, in 1923. The play lasted only twelve performances, but it won the attention of Laurence Stallings, a reviewer for the New York World. Stallings and Maxwell collaborated on What Price Glory? in 1924. This play was a giant success, earning both critical praise and box office success. What Price Glory? had a run of more than 430 performances, and enabled Anderson to retire from journalism and devote all of his energies to play writing.
His theatrical works included: The Buccaneer and First Flight (with Stallings) and Outside Looking In (1925); Saturday's Children (1927); Gods of the Lightning (with Harold Nickerson) and Gypsy (1928); Elizabeth the Queen (1930); Night Over Taos (1932); Mary of Scotland (1933); Valley Forge (1934); The Masque of Kings and The Wingless Victory (1936); Star- Wagon (1937); Knickerbocker Holiday (1938); Key Largo (1939);Journey to Jerusalem (1940); Candle in the Wind (1941); Eve of St. Mark (1942); Storm Operation (1944); Truckline Cafe (1945); Joan of Lorraine (1946); Anne of a Thousand Days (1947); Lost in the Stars (1949);Barefoot in Athens (1951); Bad Seed (1954); The Day the Money Stopped (with Brendan Gill) and The Golden Six (1958). Anderson won the Pulitzer Prize in 1933 for Both Your Houses. He won the First Annual New York Critics Circle Award for Winterset in 1935, and for High Tor in 1936.
Anderson also wrote several one-act plays, including: The Feast of Ortolans (1937); Second Overture (1938); The Miracle of the Danube (1941); Your Navy (1942); Letter to Jackie (1944). Several of these plays were written specifically for the radio. Besides his plays, Anderson also collaborated on numerous screenplays, including All Quiet on the Western Front (1930), Washington Merry-Go-Round and Rain (1932), Death Takes a Holiday (1934) and So Red the Rose (1935). He published You Who Have Dreams, a book of poetry in 1925, as well as two collections of essays: The Essence of Tragedy and Other Footnotes and Papers (1939) and Off Broadway Essays About the Theatre (1947).
In 1946, Columbia University awarded him an honorary Doctor of Literature degree. In 1954, he was honored with the Gold Medal in Drama from the National Institute of Arts and Letters. In 1958, on the occasion of the 75th Anniversary of the founding of the University of North Dakota, Anderson was conferred a Doctor of Humanities degree. Too ill to attend the ceremony, the degree was granted in absentia.
He married Margaret Haskett, a fellow classmate, on August 1, 1911 on the Haskett family farm in Bottineau, North Dakota. They had three sons, Quentin, Alan, and Terence. Margaret died on February 26, 1931. He married for a second time to Gertrude “Mab” Higger in October 1933. A daughter, Hesper, was born August 2, 1934. Gertrude died on March 21, 1953. He married again to Gilda Hazard on June 6, 1954.
Maxwell Anderson died in Stamford, Connecticut, on February 28, 1959, two days after suffering a stroke.
On March 24, 2022 Anderson was honored with a plaque at UND's Burtness Theatre as part of its designation as the first Literary Landmark.
Sources:
Shivers, Alfred. The Life of Maxwell Anderson. New York: Stein and Day, 1983.
The National Cyclopedia of American Biography. vol. 60: pp. 323-325.
Dictionary of American Biography. Supplement Six: pp. 14-16
Subject/Index Terms
Administrative Information
Repository: Elwyn B. Robinson Department of Special Collections
Additions to the collection were received from Laurel Reuter, North Dakota Museum of Art, Grand Forks, North Dakota; the Harry Ransom Humanities Research Center, University of Texas; Dan Rylance, Department of Special Collections; J. F. S. Smeall, English Department, UND; and George Starcher, former President of UND, between February 1984 and April 1985 (85-1397 through 85-1400).
Material was also received from Allen Anderson in March 1984 ( 84-1287); Larry Hill, Department of Speech and Theater, Western Carolina University, Cullowhee, North Carolina, on August 1, 1989 (89-1669); Judith Leroux, Atlantic Beach, Florida, on April 6, 2006 (2006-2820); transferred from the Law School Records (UA# 108) in June 2006 (2006-2827) and from Larry Hill, Bloomington, Minnesota, in February 2018 (2018-3376).
Access Restrictions: Open for inspection under the rules and regulations of the Elwyn B. Robinson Department of Special Collections.
Acquisition Source: Maxwell and Gilda Anderson, Stamford, Connecticut
Acquisition Method: Donation; material was received throughout 1956 and 1958
Preferred Citation: Elwyn B. Robinson Department of Special Collections, Chester Fritz Library, University of North Dakota, Grand Forks.
Finding Aid Revision History: Finding aid migrated to Archon in March 2013.
Box and Folder Listing
Browse by Series:
[Series 1: Manuscripts],
[Series 2: Production Copies],
[Series 3: Photographs],
[Series 4: University of North Dakota],
[Series 5: Maxwell Anderson Theatre and Design Conference, UND, October 14-16, 1983],
[Series 6: Miscellaneous],
[All]
- Series 1: Manuscripts
- Volume 1: Handwritten manuscript of Mary of Scotland. Record book.
- Volume 2: Diary which records the typing of Mary of Scotland , June 8 - July 20, (1933?). Includes entries from January 6, 1934 and October 24-25, 1936. An alternate passage to Mary of Scotland is written on the last page. Record book.
- Volume 3: Brendan Gill, The Day the Money Stopped (New York: Doubleday & Company, Inc., 1957). A book with notations and a signature on the front flyleaf by Maxwell Anderson. Notes for the play inside the back cover.
- Volume 4: Handwritten manuscript of The Day the Money Stopped. Record book with margins.
- Volume 5: Reproduced typewritten manuscript of The Golden Six. Bound with a flexible synthetic fiber back.
- Volume 6: Handwritten manuscript of Adam, Lilith and Eve. Record book.
- There is one small folder containing miscellaneous documents inside the front cover.
- Volume 7: Handwritten manuscript of The Star-Wagon. Beginning on page 101 is a short play entitled The Feast of Ortolans. Record book.
- Volume 8: Handwritten manuscript of Uithymiri, a play about Iceland. Record book.
- Volume 9: Handwritten manuscript of Candle in the Wind. Record book.
- Volume 10: Handwritten manuscript of Knickerbocker Holiday. Record book.
- Volume 11: Handwritten manuscript of The Bad Seed. Record book.
- Volume 12: Notes for Storm Operation. Loose leaf notebook.
- Item 13: Original manuscript of Love Letter to a University. Dated November 3, 1958. 6 loose leaf pages.
- Volume 14: Diary from 1948. 7 pages of memoranda added at the back of the diary.
- Volume 15: Manuscript for White Desert, 1984
White Desert was written and produced by Maxwell Anderson in 1923. The play opened at the Stamford Theater in Stamford, Connecticut on Friday, October 12, 1923 and after two performances moved to New York City. It was only seen by a total of 328 Broadway theatergoers before closing.
This manuscript was reassembled by Allan Anderson, Maxwell Anderson's son, in 1984 from several incomplete versions. Allen Anderson noted why he reassembled the play. “First, because of the author's emphasis on the vital importance of verse in drama; second, because of the strong defense of the sexual equality of women which is basic in the character of the heroine and which runs headlong into the hero's extremely distorted view of sexual desire.”
- Volume 1: Handwritten manuscript of Mary of Scotland. Record book.
- Series 2: Production Copies
- Sub-Series 1: Zita Johann Material
- This sub-series consists of production copies of two of Anderson's plays, "The Masque of Kings" and "Key Largo." The material was a part of the estate of the actress, Zita Johann and was donated by Judith Leroux of Atlantic Beach, Florida. Her son was doing work on Johann's house and found the production copies. Biographical data on Johann is also included.
- Sub-Series 1: Zita Johann Material
- Series 3: Photographs
- Box 1
- Photograph 1: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 2: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 3: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 4: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 5: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 6: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 7: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 8: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 9: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 10: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 11: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 12: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 13: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 14: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 15: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 16: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 17: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 18: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 19: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 20: Maxwell Anderson Family. Photos reproduced from the collections of the Harry Ransom Humanities Research Center, University of Texas at Austin.
- Photograph 21: "The Golden Six"
- Photograph 22: "The Golden Six"
- Photograph 23: "The Golden Six"
- Photograph 24: "The Golden Six"
- Photograph 25: "The Golden Six"
- Photograph 26: “Valley Forge,” “Winterset"
- Photograph 27: “Valley Forge,” “Winterset"
- Photograph 28: “Valley Forge,” “Winterset"
- Photograph 29: “Valley Forge,” “Winterset"
- Photograph 30: “Valley Forge,” “Winterset"
- Photograph 31: “Masque of Kings”
- Photograph 32: “Masque of Kings”
- Photograph 33: “Masque of Kings”
- Photograph 34: “Masque of Kings”
- Photograph 35: “Masque of Kings”
- Photograph 36: “Masque of Kings”
- Photograph 37: “Masque of Kings”
- Photograph 38: “Masque of Kings”
- Photograph 39: “Masque of Kings”
- Photograph 40: “Masque of Kings”
- Photograph 41: “Masque of Kings”
- Photograph 42: “Masque of Kings”
- Photograph 43: “Masque of Kings”
- Photograph 44: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 45: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 46: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 47: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 48: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 49: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 50: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 51: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 52: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 53: “Sea Wife,” “High Tor,” “Gods of the Lightning”
- Photograph 54: Unidentified Plays
- Photograph 55: Unidentified Plays
- Photograph 56: Unidentified Plays
- Photograph 57: Unidentified Plays
- Photograph 58: Unidentified Plays
- Photograph 59: Unidentified Plays
- Photograph 60: Unidentified Plays
- Photograph 61: Unidentified Plays
- Photograph 62: Maxwell Anderson's cabin, undated
- Photograph 63: Maxwell Anderson, Rueben Mamolian, unidentified, undated
- Photograph 64: Maxwell Anderson, undated
- Photograph 65: Maxwell, Gertrude and Hesper Anderson, undated
- Photograph 66: Maxwell Anderson, undated
- Photograph 67: Maxwell Anderson and theatre crew, undated
- Photograph 68: Maxwell Anderson and unidentified, ca. 1910
- Photograph 69: Maxwell Anderson, undated
- Photograph 70: Lawrence, Maxwell and John Anderson, undated
- Photograph 71: Minnewaukon Public School, undated
- Photograph 72: "The Golden Six"
- Photograph 73: Maxwell Anderson, undated
- Photograph 74: Maxwell Anderson, undated
- Photograph 75: Maxwell Anderson, undated
- Box 1
- Series 4: University of North Dakota
- Box 1
- Folder 3: Research Notes on Anderson by Professor J.F.S. Smeall for a brochure on a class offered by the UND Department of English on Anderson and his life, summer 1983
- Folder 4: Correspondence between members of the Anderson Family and George Starcher, former President of UND, concerning the donation of the Anderson manuscripts, 1956 - 1969.
- Folder 9: "Love Letter to a University," by Maxwell Anderson, October 1958
- Folder 10: "Tribute to a Dramatist", undated
- Folder 3: Research Notes on Anderson by Professor J.F.S. Smeall for a brochure on a class offered by the UND Department of English on Anderson and his life, summer 1983
- Box 1
- Series 5: Maxwell Anderson Theatre and Design Conference, UND, October 14-16, 1983
- Sub-Series 1: Conference Material
- Box 1
- Folder 6: Excerpt from Maxwell Anderson's Essay: The Essence of Tragedy and Other Footnotes and Papers
- Folder 7: Registration pamphlets for the Maxwell Anderson Conference and Exhibition, October-November 1983
- Folder 8: Publication: "Maxwell Anderson: Designs From the Premiere Productions." Published by UND, 1983.
- Folder 6: Excerpt from Maxwell Anderson's Essay: The Essence of Tragedy and Other Footnotes and Papers
- Oversize Folder 1
- This folder was placed in the Oversize File Cabinets.
- Box 1
- Sub-Series 2: Videotapes
- Videotape 297: Fri. Oct. 14: Maxwell Anderson Lecture, Keynote Address by Arthur Ballet. (34 min.)
- Videotape 298: Sat. Oct. 15, 9:00 a.m: First Panel Discussion between Rothgeb, Watson, Shivers, Stowell, Bay on Relationship between Designer and Playwright. (60 min.)
- Videotape 299: Sat. Oct. 15, 10:00 am: Slide Presentation and Commentary on Theatre of 50 years, by Howard Bay. (60 min.)
- Videotape 300: (nothing on tape)
- Videotape 301: Sat. Oct. 15, 1:00- 2:00 p.m.: Rothgeb and Stowell - Review of Exhibition; It's Survey of the Period in American Theatre. (60 min.)
- Videotape 302: Sat. Oct. 15; 2:00- 3:00 p.m.: Alfred Shriver - Biographer and Writer of 'Emperor of the Endless Dark; Maxwell Anderson Remembered. (60 min.)
- Videotape 303: Sat. Oct. 15, 4:45-5:45 p.m.: Lee Watson - Lighting Criticism, Portfolio Presentation for Lighting and Slides to Record Portfolio. (some reference to exhibit) (60 min.)
- Videotape 304: Sun. Oct. 16: Second Panel Discussion Tape I; 'Theatre Design - Its Past, Its Present, Its Future.' (Montgomery, Watson, Bay, Engel, Stowell, Rothgeb." (60 min.
- Videotape 305: Sun. Oct. 16: Second Panel Discussion Tape II; Rothgeb and Stowell Question and Answer Period About the Theatre." (30 min.)
- Videotape 306: Sun. Oct. 16: Second Panel Discussion Tape III; Good-byes."
- Videotape 307: Larry Hill Edited Master TAPE I." (59:01:03)
- Videotape 308: Larry Hill Edited Master TAPE II." (25:03:11)
- Videotape 297: Fri. Oct. 14: Maxwell Anderson Lecture, Keynote Address by Arthur Ballet. (34 min.)
- Sub-Series 3: Slides
- Slide 1: "Anne of The Thousand Days", 1948, set designs.
- Slide 2: "Anne of The Thousand Days", 1948, set designs.
- Slide 3: "Anne of The Thousand Days", 1948, set designs.
- Slide 4: "Anne of The Thousand Days", 1948, set designs.
- Slide 5: "Anne of The Thousand Days", 1948, set designs.
- Slide 6: "Anne of The Thousand Days", 1948, set designs.
- Slide 7: "Anne of The Thousand Days", 1948, set designs.
- Slide 8: "Anne of The Thousand Days", 1948, set designs.
- Slide 9: "The Bad Seed", 1955, set designs.
- Slide 10: "The Bad Seed", 1955, set designs.
- Slide 11: "Barefoot in Athens", 1951, set designs.
- Slide 12: "Barefoot in Athens", 1951, set designs.
- Slide 13: "Barefoot in Athens", 1951, set designs.
- Slide 14: "Barefoot in Athens", 1951, set designs.
- Slide 15: "The Buccaneer", 1925, costume designs.
- Slide 16: "The Buccaneer", 1925, costume designs.
- Slide 17: "The Buccaneer", 1925, costume designs.
- Slide 18: "The Buccaneer", 1925, costume designs.
- Slide 19: "The Buccaneer", 1925, costume designs.
- Slide 20: "The Buccaneer", 1925, costume designs.
- Slide 21: "The Buccaneer", 1925, costume designs.
- Slide 22: "The Buccaneer", 1925, costume designs.
- Slide 23: "The Buccaneer", 1925, costume designs.
- Slide 24: "The Buccaneer", 1925, costume designs.
- Slide 25: "The Day the Money Stopped", 1957, costume designs.
- Slide 26: "The Day the Money Stopped", 1957, costume designs.
- Slide 27: "The Day the Money Stopped", 1957, costume designs.
- Slide 28: "The Day the Money Stopped", 1957, costume designs.
- Slide 29: "The Day the Money Stopped", 1957, costume designs.
- Slide 30: "The Day the Money Stopped", 1957, costume designs.
- Slide 31: "The Day the Money Stopped", 1957, costume designs.
- Slide 32: "The Day the Money Stopped", 1957, costume designs.
- Slide 33: "The Day the Money Stopped", 1957, set designs.
- Slide 34: "The Day the Money Stopped", 1957, set designs.
- Slide 35: "The Day the Money Stopped", 1957, set designs.
- Slide 36: "The Day the Money Stopped", 1957, set designs.
- Slide 37: "Elizabeth the Queen", 1930, costume designs.
- Slide 38: "Elizabeth the Queen", 1930, costume designs.
- Slide 39: "Elizabeth the Queen", 1930, costume designs.
- Slide 40: "Elizabeth the Queen", 1930, costume designs.
- Slide 41: "Elizabeth the Queen", 1930, costume designs.
- Slide 42: "Elizabeth the Queen", 1930, costume designs.
- Slide 43: "Elizabeth the Queen", 1930, costume designs.
- Slide 44: "Elizabeth the Queen", 1930, costume designs.
- Slide 45: "Elizabeth the Queen", 1930, costume designs.
- Slide 46: "Elizabeth the Queen", 1930, costume designs.
- Slide 47: "Elizabeth the Queen", 1930, costume designs.
- Slide 48: "Elizabeth the Queen", 1930, costume designs.
- Slide 49: "The Eve of St. Mark", 1942, set design.
- Slide 50: "The Golden Six", 1958, costume designs.
- Slide 51: "The Golden Six", 1958, costume designs.
- Slide 52: "The Golden Six", 1958, costume designs.
- Slide 53: "The Golden Six", 1958, costume designs.
- Slide 54: "The Golden Six", 1958, costume designs.
- Slide 55: "The Golden Six", 1958, costume designs.
- Slide 56: "The Golden Six", 1958, costume designs.
- Slide 57: "The Golden Six", 1958, costume designs.
- Slide 58: "The Golden Six", 1958, costume designs.
- Slide 59: "The Golden Six", 1958, costume designs.
- Slide 60: "The Golden Six", 1958, costume designs.
- Slide 61: "The Golden Six", 1958, costume designs.
- Slide 62: "The Golden Six", 1958, costume designs.
- Slide 63: "The Golden Six", 1958, costume designs.
- Slide 64: "The Golden Six", 1958, costume designs.
- Slide 65: "The Golden Six", 1958, costume designs.
- Slide 66: "The Golden Six", 1958, set designs.
- Slide 67: "The Golden Six", 1958, set designs.
- Slide 68: "High Tor", 1937, set designs.
- Slide 69: "High Tor", 1937, set designs.
- Slide 70: "High Tor", 1937, set designs.
- Slide 71: "High Tor", 1937, set designs.
- Slide 72: "Key Largo", 1939, set design.
- Slide 73: "Knickerbocker Holiday", 1938, costume designs.
- Slide 74: "Knickerbocker Holiday", 1938, costume designs.
- Slide 75: "Knickerbocker Holiday", 1938, costume designs.
- Slide 76: "Knickerbocker Holiday", 1938, costume designs.
- Slide 77: "Knickerbocker Holiday", 1938, costume designs.
- Slide 78: "Knickerbocker Holiday", 1938, costume designs.
- Slide 79: "Knickerbocker Holiday", 1938, costume designs.
- Slide 80: "Knickerbocker Holiday", 1938, costume designs.
- Slide 81: "Knickerbocker Holiday", 1938, costume designs.
- Slide 82: "Knickerbocker Holiday", 1938, costume designs.
- Slide 83: "Knickerbocker Holiday", 1938, costume designs.
- Slide 84: "Knickerbocker Holiday", 1938, costume designs.
- Slide 85: "Knickerbocker Holiday", 1938, costume designs.
- Slide 86: "Knickerbocker Holiday", 1938, costume designs.
- Slide 87: "Knickerbocker Holiday", 1938, costume designs.
- Slide 88: "Knickerbocker Holiday", 1938, costume designs.
- Slide 89: "Knickerbocker Holiday", 1938, set designs.
- Slide 90: "Knickerbocker Holiday", 1938, set designs.
- Slide 91: "Knickerbocker Holiday", 1938, set designs.
- Slide 92: "Lost in the Stars", 1949, costume designs.
- Slide 93: "Lost in the Stars", 1949, costume designs.
- Slide 94: "Lost in the Stars", 1949, costume designs.
- Slide 95: "Lost in the Stars", 1949, costume designs.
- Slide 96: "Lost in the Stars", 1949, costume designs.
- Slide 97: "Lost in the Stars", 1949, costume designs.
- Slide 98: "Lost in the Stars", 1949, costume designs.
- Slide 99: "Lost in the Stars", 1949, costume designs.
- Slide 100: "Lost in the Stars", 1949, costume designs.
- Slide 101: "Lost in the Stars", 1949, costume designs.
- Slide 102: "Lost in the Stars", 1949, costume designs.
- Slide 103: "Lost in the Stars", 1949, costume designs.
- Slide 104: "Lost in the Stars", 1949, costume designs.
- Slide 105: "Lost in the Stars", 1949, costume designs.
- Slide 106: "Lost in the Stars", 1949, costume designs.
- Slide 107: "Lost in the Stars", 1949, costume designs.
- Slide 108: "Lost in the Stars", 1949, costume designs.
- Slide 109: "Lost in the Stars", 1949, costume designs.
- Slide 110: "Lost in the Stars", 1949, costume designs.
- Slide 111: "Lost in the Stars", 1949, costume designs.
- Slide 112: "Lost in the Stars", 1949, costume designs.
- Slide 113: "Lost in the Stars", 1949, costume designs.
- Slide 114: "Lost in the Stars", 1949, costume designs.
- Slide 115: "Lost in the Stars", 1949, costume designs.
- Slide 116: "Lost in the Stars", 1949, costume designs.
- Slide 117: "Lost in the Stars", 1949, costume designs.
- Slide 118: "Lost in the Stars", 1949, costume designs.
- Slide 119: "Lost in the Stars", 1949, costume designs.
- Slide 120: "Lost in the Stars", 1949, costume designs.
- Slide 121: "Lost in the Stars", 1949, costume designs.
- Slide 122: "Lost in the Stars", 1949, costume designs.
- Slide 123: "Lost in the Stars", 1949, costume designs.
- Slide 124: "Lost in the Stars", 1949, logos.
- Slide 125: "Lost in the Stars", 1949, logos.
- Slide 126: "Lost in the Stars", 1949, logos.
- Slide 127: "Lost in the Stars", 1949, logos.
- Slide 128: "Lost in the Stars", 1949, logos.
- Slide 129: "Lost in the Stars", 1949, logos.
- Slide 130: "Lost in the Stars", 1949, set designs.
- Slide 131: "Lost in the Stars", 1949, set designs.
- Slide 132: "Lost in the Stars", 1949, set designs.
- Slide 133: "Lost in the Stars", 1949, set designs.
- Slide 134: "Lost in the Stars", 1949, set designs.
- Slide 135: "Lost in the Stars", 1949, set designs.
- Slide 136: "Lost in the Stars", 1949, set designs.
- Slide 137: "Lost in the Stars", 1949, set designs.
- Slide 138: "Lost in the Stars", 1949, set designs.
- Slide 139: "Lost in the Stars", 1949, set designs.
- Slide 140: "Lost in the Stars", 1949, set designs.
- Slide 141: "Lost in the Stars", 1949, set designs.
- Slide 142: "Lost in the Stars", 1949, set designs.
- Slide 143: "Lost in the Stars", 1949, set designs.
- Slide 144: "Lost in the Stars", 1949, set designs.
- Slide 145: "Lost in the Stars", 1949, set designs.
- Slide 146: "Lost in the Stars", 1949, set designs.
- Slide 147: "Mary of Scotland", 1933, costume designs.
- Slide 148: "Mary of Scotland", 1933, costume designs.
- Slide 149: "Mary of Scotland", 1933, costume designs.
- Slide 150: "Mary of Scotland", 1933, costume designs.
- Slide 151: "Mary of Scotland", 1933, costume designs.
- Slide 152: "Mary of Scotland", 1933, costume designs.
- Slide 153: "Mary of Scotland", 1933, costume designs.
- Slide 154: "Mary of Scotland", 1933, costume designs.
- Slide 155: "Mary of Scotland", 1933, costume designs.
- Slide 156: "Mary of Scotland", 1933, costume designs.
- Slide 157: "Mary of Scotland", 1933, costume designs.
- Slide 158: "Mary of Scotland", 1933, costume designs.
- Slide 159: "Mary of Scotland", 1933, costume designs.
- Slide 160: "Mary of Scotland", 1933, costume designs.
- Slide 161: "Mary of Scotland", 1933, costume designs.
- Slide 162: "Mary of Scotland", 1933, costume designs.
- Slide 163: "Mary of Scotland", 1933, costume designs.
- Slide 164: "Mary of Scotland", 1933, costume designs.
- Slide 165: "Mary of Scotland", 1933, floor plans.
- Slide 166: "Mary of Scotland", 1933, floor plans.
- Slide 167: "Mary of Scotland", 1933, floor plans.
- Slide 168: "Mary of Scotland", 1933, floor plans.
- Slide 169: "Mary of Scotland", 1933, floor plans.
- Slide 170: "Mary of Scotland", 1933, floor plans.
- Slide 171: "Mary of Scotland", 1933, floor plans.
- Slide 172: "Mary of Scotland", 1933, floor plans.
- Slide 173: "Raft on the River", 1950, floor plans.
- Slide 174: "Raft on the River", 1950, floor plans.
- Slide 175: "Raft on the River", 1950, logos.
- Slide 176: "Raft on the River", 1950, logos.
- Slide 177: "Raft on the River", 1950, logos.
- Slide 178: "Raft on the River", 1950, logos.
- Slide 179: "Star-Wagon", 1937, costume designs.
- Slide 180: "Star-Wagon", 1937, costume designs.
- Slide 181: "Star-Wagon", 1937, costume designs.
- Slide 182: "Star-Wagon", 1937, costume designs.
- Slide 183: "Star-Wagon", 1937, costume designs.
- Slide 184: "Star-Wagon", 1937, costume designs.
- Slide 185: "Star-Wagon", 1937, costume designs.
- Slide 186: "Star-Wagon", 1937, costume designs.
- Slide 187: "Star-Wagon", 1937, costume designs.
- Slide 188: "Star-Wagon", 1937, costume designs.
- Slide 189: "Star-Wagon", 1937, set designs.
- Slide 190: "Star-Wagon", 1937, set designs.
- Slide 191: "Star-Wagon", 1937, set designs.
- Slide 192: "Star-Wagon", 1937, set designs.
- Slide 193: "Star-Wagon", 1937, set designs.
- Slide 194: "Storm Operation", 1944, set design.
- Slide 195: "Wingless Victory", 1936, costume designs.
- Slide 196: "Wingless Victory", 1936, costume designs.
- Slide 197: "Wingless Victory", 1936, costume designs.
- Slide 198: "Wingless Victory", 1936, costume designs.
- Slide 199: "Wingless Victory", 1936, costume designs.
- Slide 200: "Wingless Victory", 1936, costume designs.
- Slide 201: "Wingless Victory", 1936, costume designs.
- Slide 202: "Wingless Victory", 1936, costume designs.
- Slide 203: "Wingless Victory", 1936, costume designs.
- Slide 204: "Winterset", 1935, set designs.
- Slide 205: "Winterset", 1935, set designs.
- Slide 206: "Winterset", 1935, set designs.
- Slide 207: "Winterset", 1935, set designs.
- Slide 208: "Winterset", 1935, set designs.
- Slide 209: "Winterset", 1935, set designs.
- Slide 210: Unidentified costume designs.
- Slide 211: Unidentified costume designs.
- Slide 212: Unidentified costume designs.
- Slide 213: Unidentified costume designs.
- Slide 214: Unidentified costume designs.
- Slide 215: Unidentified costume designs.
- Slide 216: Unidentified costume designs.
- Slide 217: Unidentified costume designs.
- Slide 218: Unidentified costume designs.
- Slide 219: Unidentified costume designs.
- Slide 220: Unidentified costume designs.
- Slide 221: Unidentified costume designs.
- Slide 222: Unidentified costume designs.
- Slide 223: Unidentified costume designs.
- Slide 224: Unidentified play logos.
- Slide 225: Unidentified play logos.
- Slide 226: Unidentified set designs.
- Slide 227: Unidentified set designs.
- Slide 228: Unidentified set designs.
- Slide 229: Unidentified set designs.
- Slide 230: Unidentified set designs.
- Slide 231: Unidentified set designs.
- Slide 232: Unidentified set designs.
- Slide 233: Unidentified set designs.
- Slide 234: Unidentified set designs.
- Slide 235: Unidentified set designs.
- Slide 236: Unidentified set designs.
- Slide 237: Unidentified set designs.
- Slide 238: Unidentified set designs.
- Slide 239: Unidentified set designs.
- Slide 240: Unidentified set designs.
- Slide 241: Unidentified set designs.
- Slide 242: Unidentified set designs.
- Slide 243: Unidentified set designs.
- Slide 244: Unidentified set designs.
- Slide 245: Unidentified set designs.
- Slide 246: Unidentified set designs.
- Slide 247: Unidentified set designs.
- Slide 248: Unidentified set designs.
- Slide 249: Unidentified set designs.
- Slide 250: Unidentified set designs.
- Slide 251: Unidentified set designs.
- Slide 252: Unidentified set designs.
- Slide 253: Unidentified set designs.
- Slide 254: Unidentified set designs.
- Slide 255: Unidentified set designs.
- Slide 256: Unidentified set designs.
- Slide 257: Unidentified set designs.
- Slide 258: Unidentified set designs.
- Slide 259: Unidentified set designs.
- Slide 260: Unidentified set designs.
- Slide 261: Unidentified set designs.
- Slide 262: Unidentified set designs.
- Slide 263: Unidentified set designs.
- Slide 264: Unidentified set designs.
- Slide 265: Unidentified set designs.
- Slide 266: Unidentified set designs.
- Slide 267: Unidentified set designs.
- Slide 1: "Anne of The Thousand Days", 1948, set designs.
- Sub-Series 4: Oversize Photographs
- Sub-Series 1: Conference Material
- Series 6: Miscellaneous
Browse by Series:
[Series 1: Manuscripts],
[Series 2: Production Copies],
[Series 3: Photographs],
[Series 4: University of North Dakota],
[Series 5: Maxwell Anderson Theatre and Design Conference, UND, October 14-16, 1983],
[Series 6: Miscellaneous],
[All]